Slang of Ages Review and Podcast Interview

On the heels of his production, the 2023 release by saxophonist Ron Blake, guitarist, educator, and producer Bobby Broom steps back into the band leader role with “Jamalot Live” out on Steele Records.  Broom’s first release since his acclaimed 2022 release, “Keyed Up,” finds Broom back with Hammond B-3 ace Ben Paterson and long-time drummer Kobe Watkins for a group of live recordings, some of which date back more than ten years. The album title refers to a Steely Dan tour where Broom was asked to open for the band in 2014 and 2019. Indeed, most of these recordings were pulled from that tour, and select dates were from Chicago’s fabled Jazz Showcase.

Broom and his band stick to covers and standards, but his interpretations are always unique and nuanced.

“Superstition,” the Stevie Wonder classic, performed at the War Memorial Auditorium in Greensboro, jumps out of the speakers. The song is funky, allowing both Broom and Peterson room to stretch.

“The Tennessee Waltz, “ recorded at the Ryman Auditorium in Nashville, showcases Watkin’s rim work and empathetic playing. Broom’s tone shines in each of the ten songs.

“Jitterbug Waltz,” a favorite of mine from Broom’s brilliant 2014 release, “My Shining Hour,” jumps out of the speakers. Watkin’s shuffle is infectious, while Paterson’s melodic organ fills and passionate soloing underline Broom’s stunning work on his Keontopp electric guitar.

Credit must be given to Peter D. Thompson and Timothy Powell for capturing their performances in all their glory.

My only quibble with the album is that ten songs aren’t enough to satisfy this listener. That criticism aside, The Bobby Broom Organisation’s Jamalot Live is almost as joyous as seeing the trio live.